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Butch gets free and saves Marsellus by killing a hillbilly and wounding another with a Samurai sword. The perverts have subdued and bound Butch and Marsellus, and the perverts begin to rape Marsellus. Butch tries to run over and kill Marsellus they fight and end up in a store with Zed, Maynard and the Gimp, hillbilly sexual perverts. Butch must return to his apartment, despite the fact that Marsellus’ men are looking for him, to get his watch he kills Vincent. Butch double crosses Marsellus and doesn’t throw the fight his boxing opponent is killed. Butch as a child receives a watch from his father’s friend, an army comrade who saved the watch by hiding it in his rectum while he was in a Vietnamese prisoner of war camp. PART II : Butch agrees to throw a fight for Marsellus Wallace.

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Mia mistakes heroin for cocaine and overdoses Vincent has to give her a cardiac needle full of adrenaline to save her. Vincent buys heroin and gets high, then takes Mia out to Jack Rabbit Slim’s, a restaurant which is full of old American pop icons: Buddy Holly, Marilyn Monroe, Ed Sullivan, Elvis they win a dance contest. Marsellus Wallace) out for the evening, and Vincent is nervous because he heard that Marsellus maimed Tony Rocky Horror in a fit of jealousy.

Marsellus has asked Vincent to take Mia (Mrs. Before Jules kills Brad, he quotes a passage from the Old Testament. They collect a briefcase which belongs to Marsellus Wallace from Brad, Marvin, et al. Jules and Vincent discuss what a Quarter Pounder with Cheese is called in France. PART I : Ringo and Honeybunny decide to rob a coffee shop. So, what is the film about? In general, we can say that the film is about American nihilism. It’s a montage of bizarre characters, from a black mobster with a mysterious bandage on the back of his bald head, to hillbilly sexual perverts from henchmen dressed in black suits whose conversations concern what fast food items are called in Europe to a mob problem-solver who attends dinner parties early in the morning dressed in a full tuxedo. It’s a gangster film in which not a single policeman is to be found. It’s a seemingly complete narrative which has been chopped into vignettes and rearranged like a puzzle. Quentin Tarantino’s Pulp Fiction is an odd film.

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Given the centrality of religion in our lives for thousands of years, once this moral code is lost and not replaced, we are faced with the abyss of nihilism: darkness closes in on us, and nothing is of any real value any more there is no real meaning in our lives, and to conduct oneself and one’s life in one way is just as good as another, for there is no over-arching criterion by which to make such judgments. Once we ceased really to believe in the myth at the heart of Judeo-Christian religion, which happened after the scientific revolution, Judeo-Christian morality lost its character as a binding code by which to live one’s life. When Nietzsche proclaimed that “God is dead,” he meant that Judeo-Christianity has been lost as a guiding force in our lives, and there is nothing to replace it. Nihilism is a term which describes the loss of value and meaning in people’s lives. SUBSCRIBE NOW Articles Symbolism, Meaning & Nihilism in Quentin Tarantino’s Pulp Fiction Mark Conard reveals the metaphysical truths lurking under the rug in Tarantino’s cult classic.

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